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First Cut Lab Paris 2026

37 minutes ago
4 min read
A Day in the Life of Jo: Chapter Phaedra by Jacqueline Lentzou – First Cut Lab Paris 2026

A Day in the Life of Jo: Chapter Phaedra by Jacqueline Lentzou – First Cut Lab Paris 2026


Following the success of its inaugural edition in January 2026, TATINO is pleased to announce the return of First Cut Lab Paris, an onsite editing consultancy programme, designed to support audiovisual professionals from across the world, with a focus on feature-length films in the editing stage.


The selected teams (director/producer/editor) are offered a creative framework, both challenging and protective, where to open up new perspectives and to explore the whole artistic potential of their films. They screen their rough cut in a private session, and receive expert feedback from three international film industry advisors, as well as tailor-made advice from an editing consultant with sessions facilitated by an editorial advisor.


Consultant and industry advisors will be defined according to the profiles of the films selected. An overview of regular consultants of First Cut Lab can be found here: http://firstcutlab.eu/people/


The first edition of First Cut Lab Paris has already produced exciting results. Jacqueline Lentzou's A Day in the Life of Jo: Chapter Phaedra premiered in the Orizzonti section of the 2026 Venice Film Festival where it received Orizzonti Award for Best Director , while Levan Koguashvili's Guria premiered in Venice Spotlight.


Submission deadline:

Submissions are now open.

The deadline for submitting the entry form is 28. October 2026.


Dates and program

The program will take place in Paris, and each film will be workshopped within the period of December 7-11, 2026, preceded by an online assessment phase in the weeks prior.


The Lab unfolds in two phases. First, an assessment session, held online before the onsite Lab, during which the First Cut Lab programme manager meets the team to discuss their priorities and expectations, and explains the Lab in detail, matching the project with the most suitable experts.

This is followed by three consecutive days onsite in Paris:

  • Day 1 | preparatory Session: the film team meets the editing consultant and editorial advisor to discuss the cut and prepare for the industry session. The film is then privately screened for the three industry advisors.

  • Day 2 | industry Session: individual feedback from each industry advisor, followed by a collective discussion with the editing consultant, editorial advisor, and film team.

  • Day 3 | follow-Up Session: a working session between the editing consultant and the film team to translate the feedback into concrete next steps.


Participants may indicate their preferred Lab period when applying, choosing from the below three options. Please note that, while we will do our best to accommodate preferences, First Cut Lab cannot guarantee that the selected project will be assigned its preferred dates.


  • 7–9 December

  • 8–10 December

  • 9–11 December

If you have no specific preference, please indicate this clearly in the application form.

Once the workshop is over, the participants receive a report & roadmap that can serve as guidance for further editing. Eventually, the ambition of First Cut Lab is to enhance the audience opportunities of the films.


Team


Matthieu Darras TATINO Director
Matthieu Darras TATINO Director
Una Gunjak        Editor Consultant
Una Gunjak Editor Consultant
Dounia Sichov   Editor Consultant
Dounia Sichov Editor Consultant
Wim Vanacker Editorial Advisor
Wim Vanacker Editorial Advisor













Advisors


Nicholas Kaiser Paradise City Sales
Nicholas Kaiser Paradise City Sales
Emmanuel Pisarra        Mk2
Emmanuel Pisarra Mk2













Submissions

All applications must include:

  • Complete application form and video material not less than 30 minutes long. In order to submit your application and the required material, you need to fill out the form.


Please find here below the complete guidelines and detailed info about the submission process.

Applications must be sent to: marija.fridinovaite@firstcutlab.eu


Participation Fees

The participation fee of First Cut Lab Paris is 2500 Euros.


TATINO alumni projects are eligible for a reduced participation fee of 2000 Euros.


Please note that travel and accommodation costs are not included in the participation fee. Participants are responsible for arranging and covering their own transportation and lodging during their stay in Paris.



Guidelines

Please note: the deadline for submitting a project to First Cut Lab Paris 2026 is October 28, 2026.


In order to submit your application and the required material, you need to complete the submission form. All application materials and subtitles should be in English.

Submissions should include: A complete online submission form in English and video material with a minimum duration of 30 minutes and with English subtitles.

The video material submitted can be selected scenes, a first assembly or a rough cut with a minimum duration of 30 minutes.

The video is mandatory to be available via streaming service password protected (e.g. Vimeo). No transfer services or cloud storage is accepted.

The project should be a feature film with international market potential - minimum length of 70 minutes, fictions and documentaries are accepted.


Projects from all over the world are eligible to apply. Both fiction and documentary films are accepted.


First Cut Lab has no specific fixed criteria in terms of content and each project will be considered on its own merits. The main criteria for selection are the artistic & audience potential of the film, corroborated with the specific needs in regards to the specificity of the First Cut Lab workshop.


Projects should be new or recent. Projects should not have been presented at any public screenings (special industry screenings such as works-in-progress etc. are ok).


The project can be in different stages of post-production, though it is highly recommended to be in early editing phase.

Once a project has been selected, both director and producer should be available during the days of the Lab. The presence of the editor is recommended, but not compulsory. Travels and accomodation are not included.


Finished films that participated in First Cut Lab should mention First Cut Lab and display its logo in their credits. The following sentence should be mentioned in the credit list: “This project participated in First Cut Lab Paris 2026” together with the First Cut Lab logo and TATINO logo.


The First Cut Lab logo pack can be downloaded here




 
 
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